BIJDRAGEN AAN VERZAMELWERKEN

een selectie

CONTRIBUTIONS TO COMPILATIONS

a selection

  • ROUSSEL, N., Clinical assessment of range of motion, muscle strength, motor control and pain pro - cessing in chronic low back pain. Doctoral Thesis, Universiteit Antwerpen 2009. ISBN 978-90-5728- 113-6. Chapter 4: Altered lumbopelvic movement control but not joint hypermobility predict musculo - skeletal symptoms and injuries in dancers: A six months prospective study.

  • COESSENS, K., Experiencing art: A Synesthetic Unfolding. Proceedings of the Third International Congress on Synaesthesia, Science & Art, Granada, Spain, 2009.

  • COESSENS, K., Visual praxis: moving the body, the world and the self. In Applied Semiotics/ Sémiotique Appliquée, Issue: Translating Culture / Traduire la culture, Volume: 9, N° in volume: 24, 2010, pp: 112 - 143, ISBN-ISSN: 1204-6140.

  • COESSENS, K., Semiotics of Art Reception: In Between Semiotic Translation and Synesthetic Response, in Proceedings of the Xth World Congress of Semiotics, 2011.

  • VEIGA LOUREIRO A., COESSENS K., Non-Discursive Space of the Body: In-Between Discipline and Play, in ATINER Conference Paper Series, Athene, ART2013-0495, 2013, 5-9.

  • MAES D., Danseducatie als bemiddeling, in: Rymenants K., Rams, T. eds., Praktijkgericht Wetenschappelijk Onderzoek. Praktijken en perspectieven, Antwerpen, Artesis Hogeschool, 2013, p. 69-79.

  • VEIGA LOUREIRO A., ́A Expressividade do Corpo-Sujeito na Composição Coreográfica: Um estudo de caso ́ – (The Expressiveness of the Body-Subject in Choreographic Composition: A case- study), in: Impressões Corporais e Textuais: Pesquisa em Dança (Bodily and Textual Impressions: Re - search in Dance), São Paulo, 2013

  • COESSENS K., The Agile Musical Mind - The Musician's act of creation, in In T. Veale, K. Feyaerts, C. Forceville (eds.), Creativity and The Agile Mind: A Multidisciplinary Study to a Multifaceted Phenomenon. (series Application of Cognitive Linguistics, ACL), pp. 335-354. Berlin/New York: Mouton de Gruyter. ISBN: 978-3-11-029529-0. See http://www.degruyter.com/view/product/184570 , 2013

  • COESSENS K., Interlude I: Exploring Musical Integrity and Experimentation, in de Assis Paulo, Brooks William, Coessens Kathleen (eds), Sound and Score, p 61-66. Orpheus geschriften, Leuven: Universitaire pers, 2013.

  • COESSENS K., Interlude II: The Score on Shifting Grounds, in de Assis Paulo, Brooks William, Coessens Kathleen (eds), Sound and Score, p 122-128. Orpheus geschriften, Leuven: Universitaire pers, 2013.

  • COESSENS K., Interlude III: The Score beyond Music, in de Assis Paulo, Brooks William, Coessens Kathleen (eds), Sound and Score, p 178-182. Orpheus geschriften, Leuven: Universitaire pers, 2013.

  • COESSENS K., Postlude, in de Assis Paulo, Brooks William, Coessens Kathleen (eds), Sound and Score, p 218-220. Orpheus geschriften, Leuven: Universitaire pers, 2013.

  • COESSENS K., Crispin, Darla and Vaes Luk, (Re-)searching artists in artistic research – creating fertile ground for experimentation, in Scott Harrison, ed, Research and Research Education in Music Performance and Pedagogy, Dordrecht: Springer. P 27-44. ISBN 978-94-007-7434-6, 2013.

  • DOUGLAS A., COESSENS K., Improvisation and Embodied Knowledge ― Three Artistic Projects between Life, Art and Research, in Henrik Frisk and Stefan Östersjö, eds, (re)thinking improvisation – Artistic explorations and conceptual writing, Malmö Academy of Music, Lund University, p 29-41. ISBN 978-91-979584-9-3, 2013.

  • COESSENS, K., The Agile Musical Mind - The Musician's act of creation, in The Agile Mind, eds. Kurt Feyaerts, Charles Forceville & Tony Veale, Publisher: Mouton series Applications of Cognitive Linguistics, 2015.

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