ACADEMIC ARTICLES

  • BEIJSENS, P., Noodzakelijke vervreemding, in: Forum, jg. 18 nr. 6, juli 2011, Antwerpen KCA, p. 9- 12.SCHUTT, A., het lichaam als instrument van de kunst, in: Forum, jg. 19 nr. 1, september 2011, Antwerpen KCA, p. 22-25.

  • COESSENS K., CORPoREAL. Het lichaam van de kunstenaar is aanwezig, in: Forum, jg.21 nr. 5, 2013, p8-14.

  • COESSENS K., Crispin, Darla and Vaes Luk, (Re-)searching artists in artistic research – creating fertile ground for experimentation, in Scott Harrison, ed, Research and Research Education in Music Performance and Pedagogy, Dordrecht: Springer. P 27-44. ISBN 978-94-007-7434-6, 2013.

  • COESSENS K., Interlude II: The Score on Shifting Grounds, in de Assis Paulo, Brooks William, Coessens Kathleen (eds), Sound and Score, p 122-128. Orpheus geschriften, Leuven: Universitaire pers, 2013.

  • COESSENS K., Interlude III: The Score beyond Music, in de Assis Paulo, Brooks William, Coessens Kathleen (eds), Sound and Score, p 178-182. Orpheus geschriften, Leuven: Universitaire pers, 2013.

  • COESSENS K., On the art of research in the arts - Tracing praxis and reflection, in ARJ – Art Research Journal/Revista de Pesquisa em Arte, Bresil. vol1 nr2, p1-20, 2014.

  • COESSENS K., Postlude, in de Assis Paulo, Brooks William, Coessens Kathleen (eds), Sound and Score, p 218-220. Orpheus geschriften, Leuven: Universitaire pers, 2013.

  • COESSENS, K., Humans, heroes and artists, (re)creating the unexpected situation, in Journal for Critical Studies in Improvisation ― Etudes Critiques en Improvisation, vol 8 n2, Dec 2012.

  • COESSENS, K., Musical Performance and ‘Kairos’: Exploring the Time and Space of Artistic Resonance, in International Review of the Aesthetics and Sociology of Music, 40 (2009) 2, p269-281.

  • COESSENS, K., Sensory Fluidity: Dialogues of Imagination in Art, in: Essays in Philosophy, from Aesthetics and the Senses, issue 2, vol.13, 2012, p.453 - 470COESSENS, K., Experiential knowledge and improvisation: Variations on movement, motion, emotion, in: Art, Design & Communication in Higher Education, issue 2, vol.10, 2012, p.179 - 198

  • COESSENS K., An Artistic Logic of Practice: The Case of the Performer, in: The International Journal of the Arts in Society, vol. 6, issue 4, 2011, p. 1-11.

  • Coessens, K (2016) Performative sides/sites of performance: sharing knowledge in artistic ways THE A&HHE DIGITAL SPECIAL ISSUE:ŒThe Reflective Conservatoire August 2016. http://www.artsandhumanities.org/journal/performative-sidessites-of-knowledge-sharing-knowledge-in-artistic-ways/

  • DAENEN L., Bewegingsconflict bij violisten, in: Forum, jg. 20 nr. 6, 2013, p. 14-17.

  • DOUGLAS A., COESSENS K., Improvisation and Embodied Knowledge ― Three Artistic Projects between Life, Art and Research, in Henrik Frisk and Stefan Östersjö, eds, (re)thinking improvisation – Artistic explorations and conceptual writing, Malmö Academy of Music, Lund University, p 29-41. ISBN 978-91-979584-9-3, 2013.

  • DOUGLAS A., COESSENS K., Movement and Moment: In-between Discreteness and Continuity, in Somatechnics 4.1, p 149–167. Also www.euppublishing.com/soma 2014.

  • MAES D., Dansen dansen! Al doende leert men, in: Dans.magazine, tijdschrift over dans in Vlaanderen, Danspunt, september 2013.

  • MAES D., Dansen dansen! Onbekend is onbemind, in: Courant, 104 “Social Bodies”,Brussel,VTI, febr-april 2013.

  • MAES, D., Danseducatie herbekeken, in: Forum, jg. 18 nr. 3, januari 2011, Antwerpen KCA, p. 9-19. SWYZEN, C., Theater zonder verloop? Het statuut van de tekst in het postdramatisch theater, in: Forum, jg. 18 nr. 3, januari 2011, Antwerpen KCA, p. 31-35.COESSENS, K., Where am I — body and mind reviewed in the context of situatedness and virtual - ity. In The International Journal for Interdisciplinary Social Sciences. Volume 5, Issue 11, 2011, pp.65-74.

  • RAVETZ A., DOUGLAS A. and COESSENS, K., Editorial - Improvisational Attitudes: Reflections from Art and Life on Certainty, Failure, and Doubt, in Journal for Critical Studies in Improvisation ― Etudes Critiques en Improvisation, vol 8 n2, Dec 2012.

  • ROUSSEL N., De Kooning M, Nijs J, Wouters K, Cras P, Daenen L. The cortical model of pain in professional dancers: an experimental study examining the role of sensorimotor incongruence. Motor Control 2014. In press (SCI= 1.390, Q2 41/84 Sport Sciences)

  • ROUSSEL N., DE KOONING M., BAAJOU V., STRUYF F., SCHUTT A., Nijs J., VERBUNT J., SMEETS R., Muskuloskeletale klachten bij (pre)professionele dansers, in: Sport en Geneeskunde, nr. 2, mei 2013, p. 1-9.

  • ROUSSEL N., DE KOONING M., SCHUTT A., MOTTRAM S., TRUIJEN S., NIJS J, DAENEN L., Motor control in relation to low back pain in dancers, in: International Journal of Sports Medicine 2013;34(2):138-143.

  • ROUSSEL N., Hallemans N, Rutgeerts J, Gielen J & Van den Dries L. Exploring the biomedical paradigm in the work of Jan Fabre. Research Performance 2014. In press.

  • ROUSSEL N., Vissers D, Kuppens K, Truijen S, Nijs J, De Backer W. Effect of a physical conditioning versus health promotion intervention in dancers: a randomized controlled trial: a randomized controlled trial. Manual Therapy 2014. Jun 3. pii: S1356-689X(14)00091-5. doi: 10.1016/j.math.2014.05.008 (SCI = 2.237, Q1 11/64 Rehabilitation).

  • ROUSSEL, N., DAENEN, L., CRAS, P., NIJS, J., Sensorimotor incongruence triggers sensory dis - turbances in professional violinists: an experimental study, in: Rheumatology 2010; 49(7): 1281-1289. SCI=4.136

  • ROUSSEL, N., NIJS, J., MOTTRAM, S., VAN MOORSEL, A., TRUIJEN, S., STASSIJN, G., Altered lumbopelvic movement control but not joint hypermobility is associated with increased injury in dancers: A prospective study, in: Manual Therapy 2009. doi:10.1016/j.math.2008.12.004 (SCI = 2.000)

  • SCHACHER J., PETERS N., LOSSIUS T., The Spatial Sound Description Interchange Format: Prin - ciples, Specification, and Examples, in: Computer Music Journal, 37:1, MIT, 2013, p. 11-22.

  • Schacher, J (2016) Sounding bodies – moving sounds: Encounters in improvised play across disciplines and cultures.  THE A&HHE DIGITAL SPECIAL ISSUE:ŒThe Reflective Conservatoire August 2016. http://www.artsandhumanities.org/journal/

  • Schacher, J. C. (2013a). Hybrid Musicianship - Teaching Gestural Interaction with Traditional and Digital Instruments. In Proceedings of the Conference on New Interfaces for Musical Expression (NIME 2013), Daejeon & Seoul, Korea Republic. (cited p 23.)

  • Schacher, J. C. (2013b). The Quarterstaff, a Gestural Sensor Instrument. In Proceedings of the Conference on New Interfaces for Musical Expression (NIME 2013), Daejeon & Seoul, Korea Republic. (cited pp 23 and 122.)

  • Schacher, J. C. and D. Bisig (2016, June). Face to Face – Performers and Algorithms in Mutual Dependency. In Proceedings of the International Conference on Live-Interfaces ICLI, Brighton, UK. (cited p 161.)

  • Schacher, J. C. and P. Neff (2015, 16–19 June). The Fluid and the Crystalline – Processes of the Music Performing and Perceiving Body. In Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), Plymouth, UK, pp. 333–349. (cited pp 105, 109, 127, and 132.)

  • Schacher, J. C., C. Miyama, and D. Bisig (2015, May 31–June 3). Gestural electronic music using machine learning as generative device. In Pro- ceedings of the International Conference on New Interfaces for Musical Expression, Baton Rouge, LA, USA, pp. 347–350. (cited pp 144 and 162.)

  • THIELEMANS, M., Musiceren zonder pijn: een utopie?, in: Forum, jg. 17 nr. 6, juli 2010, Antwerpen KCA, p. 15-20.

  • THYS, P. Talige Muzikaliteit, in: Forum, jg. 19 nr. 6, p. 21-25

  • VERSTOCKT S., COESSENS K., “Bubbles of Strings and Scales – A Plea for the Foam of Music”, in World New Music Magazine, 09/2012, pp. 6-17.

  • VOS S., Het lichaam in de gemeenschap. Het belang van Lea Daan (1906-1995) voor de dans, in: Forum, jg. 20 nr. 4, 2013, p. 21-27.

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