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Beyond gaze

2024-2028
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Beyond gaze: Establishing the language of touch in applied drama​

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PhD project

Promoters: Bob Selderslaghs (RCA) and Pascal Gielen (UA)

Touch is the first sense we get to experience in life. It is the sense which is fundamental for our contact with the world. In the last couple of years, we have found ourselves living amidst the times of abstract distance and sensory impoverishment. This research investigates touch as an artistic medium and proposes that when combined creatively, touch-led strategies and dramatic inquiry methods hold a great potential in joining differences productively, empower individuals of different abilities to learn from one another through a shared sense modality.

 

The PhD research aims to work towards developing a touch-led dramatic inquiry framework to be used among children both able-bodied and with sensory impairments (blindness and/or deafness). The research project will ask:

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  • How can creating a touch-led dramatic inquiry framework as an educational medium be useful in heightening the skills of artistic collaboration, sense-making skills and sense of community among children both able-bodied and with sensory impairments?

  • What role can a touch-led dramatic inquiry framework play in working towards forms of process drama that are inclusive and full bodied?

  • How can a touch-led dramatic inquiry framework be used in (art) educational settings?

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‘Beyond gaze’ will bring together a presentation series and a three-year workshop series. Presentation series will form the basis for indexing touch-led artistic strategies. Workshops will utilize activities designed in tandem with the participants which in turn model the scaffolding for the touch-led dramatic inquiry framework.

Can Boyan

researcher

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Can Boyan is a teaching artist and researcher. He obtained his master’s at Sandberg Instituut, Amsterdam. His work brings applied drama and improvisational play with a focus on physical, embodied experiences together. Building onto his use of physical cues as dramaturgical propositions or as theatrical metaphors, his performances play with the possibilities of shared artistic processes by inviting audience-participants to take part in the work as authors-makers.

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He currently is a doctoral researcher at the Royal Conservatoire Antwerp where his research ‘Beyond gaze: Establishing the language of touch in applied drama.’ aims to combine his work on touch based artistic strategies and process drama into a touch-led dramatic inquiry framework.  

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canboyan.info

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